The Role of Palestinian Plastic Art in Keeping Up With the Palestinian Struggle
DOI:
https://doi.org/10.47604/jpcr.1707Keywords:
Palestinian Art, Palestinian Plastic Art, Palestinian Art Before Nakba, Palestinian Art After Nakba, Palestinian Art In Homeland And DiasporaAbstract
As long as there is injustice and oppression to man, there was an urgent need for the oppressed person to seek a way to express the injustice he suffered, to try to remove this injustice from himself, for the warrior to come to the fields of struggle with his weapons and to start writing the history of the poet, writer and thinker. Historical storytelling is used to record some important historical events in the life of the Palestinian people. The descriptive and analytical method was also used in some Palestinian artworks to show Palestinian reality at the stages of its struggle.People who struggle to achieve their freedom and allow the artist to embody this pain in order to reveal the crimes of the invader and paint a bright picture for a better tomorrow. This was the reality of the Palestinian artist struggling side by side with all sections of his society, so this study aims to examine the role of art in the march of the Palestinian struggle, as it is more relevant to the reality of Palestine under occupation (Al Qasem, 1998).
Downloads
References
Şükri, A. (2000). The Artistic Uniqueness of Expression of Women in Picasso and Their Use in Photography, Master Thesis, Faculty of Art Education, Helwan University, p.25.
Suleiman, H. (1993). Freedom of the Artist, Sharjah Center for Intellectual Creativity Publications, Hull Publishing and Distribution, p.110.
Haşem, S. (2015). Conceptual Changes in Palestine Photography in the Twenty-First Century As an introduction to expressing political issues, PhD Thesis, Faculty of Art Education, Helwan University, p.15.
Balata, K. (2000). Awakening Place: A Study on Contemporary Palestinian Art, Tunisia, The Organization Arab Education, Culture and Science Union.
Al-Manasrah, I. (2003). Encyclopedia of Palestinian Plastic Art in the Twentieth Century: Historical Readings Critical Documents, Part One, First Edition, Amman, Majdalawi House.
Maslamani, M. (2008). The Right to Return in Naji Al-Ali Cartoons, research paper published in a booklet called Bethlehem, Palestine Resource Center for Settlement and Refugee Rights.
Al-Qasem, N. (1998). "The Role of the Cultural Movement in the Protection of the National Identity of the Palestinian Arabs, Israeli Governance", Aswar Intellectual Research and National Culture Magazine, Akka, Issue 19.
Asaad, M. (1986). The Psychology of Creativity in Art and Literature, Cairo, Egypt General Book Authority, p.16-19.
Reid, H. (1998). The Meaning of Art, translated by: Sami Khashaba, General Book Authority of Cairo, Egypt.
Fischer, E. (1971). The necessity of art, translated by Asaad Halim, Cairo, Egyptian Public Authority for Authorship and Publishing.
Al-Azaby, M. (1997). Ancient Egyptian sculptural art, between devotion and freedom of expression, Unpublished Master's Thesis, Cairo, Helwan University, Faculty of Fine Arts.
Hamilton, E. (1997). The Greek Style in Literature, Art and Life, translation by Hanna Abboud, Damascus, Publications Ministry of Culture, Higher Institute of Dramatic Arts, p. 7181.
Monroe, M. (1971). Evolution in Art and Some Other Theories in the History of Culture, translated by Muhammed Ali Abu. Dora, First Section, Cairo, Egyptian Authority and Publishing General Authority, 32.
Behansi, A. (1965). Art and Nationalism, Damascus, Ministry of Culture.
Okasa, Th. (2002). Art and Life, Cairo, Sunrise House.
Al-Batrawi, M. (2005). "Jerusalem in Contemporary Palestinian Art (1967-1994," Articles Jerusalem is the Key to Peace and Freedom Symposium, Palestine, Al-Bireh, November.
Al-Jawabreh, N. (2005). The Intellectual Structure of Contemporary Plastic Art in Palestine, a letter Master, Baghdad University, Printed in Palestine, Al-Raid House.
Maslamani, M.) 2011). Identity representations in contemporary Palestinian art in the occupied territories in 1948, PhD in Political Studies, Cairo, Institute of Arab Studies and Studies, Department of Research and Political Studies.
Rodantz, K. And Şammut, İ. (1975). Art Catalog, translation: Mumtaz Credit, Berlin, Henschel Publishing.
Balata, K. (2001). "The World, Self and Body: Pioneering Women Art in Palestine", In: Tal Ben Zvi & Yael Lerer (ed.): Self-Portrait, Palestinian Woman Art, Tel Aviv, Andalus Publishing & Tal Ben Zvi.
Al-Afghani, J. (2004). "Past, Present, Future: An Analytical Examination of the Works of Plastic Artist Tayseer Sharaf", in: Zakaria Muhammed (Edited), Tayseer Sharaf (1939-2001:
(An Artist's Journey and Life Story, Palestine, Ministry of Culture) Palestine, p. 4-7.
Al-Alan, M. (2002). et al., Tashkeel: Palestinian Plastics Experiences, Chapter 1, Ramallah.
Livni, E. (2004). Red tree with black cross, p. 29-37.
https://www.palestinechronicle.com/wp-content/uploads/2015/05/naji_ali_earth.jpg https://data.arab48.com/data/news/2020/04/01/bodyImages/images/20200401104700.jpg
https://i.pinimg.com/originals/18/97/77/1897771aad4b5cbd3b0f793b410337a6.jpg https://i.pinimg.com/originalsd5/09/79/d50979d888baa004f2ad6571e76f92b9.jpg
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Ali Alabadla, Dr. Medine IRAK
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution (CC-BY) 4.0 License that allows others to share the work with an acknowledgment of the work’s authorship and initial publication in this journal.
